Friday, February 15, 2013
Sunday, January 1, 2012
Happy New Year!
Wednesday, November 2, 2011
Lifesong - Review
Lifesong
York Street Art Gallery, 21 York Street, Timaru: 20 Nov 2010 – 20 Jan 2011
This exhibition of abstract paintings by artist Elizabeth Love (nee Acheson) of Timaru, reveal a deep vein of Christian faith that inspires and translates the artist’s poet soul.
There is a sense of atmosphere about these works; of mood, of storm and brooding, of depth to fathom, of deeply rich colour and textured surfaces that might be read lightly like Braille, with the fingers.
The exhibition ‘presents the gleanings of memory past and present’. Key elements show up again and again; text in the form of scripture, prayer, song and lyric, and ideas of a new land, landscape and a sense of place within it.
The Nunc Dimittis series stands out. They refer to the song of Simeon, used as a canticle (a Christian hymn or chant) in various liturgies.
Luke 2:29 – 32 elaborates and refers to the sighting of the Christ child by the old prophet Simeon, and his readiness at that point to depart, to leave, to be dismissed from this life because he had seen and held the promised Christ. His wait was over. Scripture also conveys an unwritten sense of settling and settlement.
The Common Prayer series carry ideas further. ‘In the Bonds of Love we Meet’, and ‘Let it Rain’ are Influenced by the Common Prayer Book of Anglican up-bringing. Works are linked to this land, Aotearoa, to its vision and its unifying national anthem.
The Common Prayer Book was a vital link between the Northern Ireland homeland of her parents and the new home they would eventually make in Aotearoa NZ. ‘The prayer book gave them a sense of cover and commonality amongst other Anglicans; they could go anywhere in the world and be at home’, she says.
The Kakanui series is a place where ocean meets sky and red ladders appear in the landscape. The work ‘When Jesus called to Peter at Kakanui’ suggests new insight occurred there.
Design is a key element in Elizabeth Love’s work. It brings a sense of measure and placement of the artist’s language of marks. These show up as deft sweeps of colour; of semi circles, banners, crosses and other motifs.
Ideas for new works seem to be constantly arriving. These are thought about, developed and presented though they may take a number of years to resolve.
Elizabeth has dedicated Lifesong to the memory of her father.
Moana Tipa
Community Arts Writer
November 2010
++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Nearly a year on & I am understanding more about these works with the help of my Learning Connexion mentor Anne-Marie Jean. Invaluable.
York Street Art Gallery, 21 York Street, Timaru: 20 Nov 2010 – 20 Jan 2011
This exhibition of abstract paintings by artist Elizabeth Love (nee Acheson) of Timaru, reveal a deep vein of Christian faith that inspires and translates the artist’s poet soul.
There is a sense of atmosphere about these works; of mood, of storm and brooding, of depth to fathom, of deeply rich colour and textured surfaces that might be read lightly like Braille, with the fingers.
The exhibition ‘presents the gleanings of memory past and present’. Key elements show up again and again; text in the form of scripture, prayer, song and lyric, and ideas of a new land, landscape and a sense of place within it.
The Nunc Dimittis series stands out. They refer to the song of Simeon, used as a canticle (a Christian hymn or chant) in various liturgies.
Luke 2:29 – 32 elaborates and refers to the sighting of the Christ child by the old prophet Simeon, and his readiness at that point to depart, to leave, to be dismissed from this life because he had seen and held the promised Christ. His wait was over. Scripture also conveys an unwritten sense of settling and settlement.
The Common Prayer series carry ideas further. ‘In the Bonds of Love we Meet’, and ‘Let it Rain’ are Influenced by the Common Prayer Book of Anglican up-bringing. Works are linked to this land, Aotearoa, to its vision and its unifying national anthem.
The Common Prayer Book was a vital link between the Northern Ireland homeland of her parents and the new home they would eventually make in Aotearoa NZ. ‘The prayer book gave them a sense of cover and commonality amongst other Anglicans; they could go anywhere in the world and be at home’, she says.
The Kakanui series is a place where ocean meets sky and red ladders appear in the landscape. The work ‘When Jesus called to Peter at Kakanui’ suggests new insight occurred there.
Design is a key element in Elizabeth Love’s work. It brings a sense of measure and placement of the artist’s language of marks. These show up as deft sweeps of colour; of semi circles, banners, crosses and other motifs.
Ideas for new works seem to be constantly arriving. These are thought about, developed and presented though they may take a number of years to resolve.
Elizabeth has dedicated Lifesong to the memory of her father.
Moana Tipa
Community Arts Writer
November 2010
++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Nearly a year on & I am understanding more about these works with the help of my Learning Connexion mentor Anne-Marie Jean. Invaluable.
Monday, August 8, 2011
He aha te mea nui o te ao?
Monday, March 28, 2011
New Zealand/Aotearoa National Anthem
Sunday, March 20, 2011
God Defend New Zealand/Aotearoa
Common Prayer (IX): Triple Star
Elizabeth Love
September 2010
Mixed Media on canvas
610x910x35mm
(Lifesong exhibition)
Common Prayer (IX): Triple Star (detail)
E Ihowā Atua,
O ngā iwi mātou rā
Āta whakarangona;
Me aroha noa
Kia hua ko te pai;
Kia tau tō atawhai;
Manaakitia mai
Aotearoa
God of Nations at Thy feet,
In the bonds of love we meet,
Hear our voices, we entreat,
God defend our free land.
Guard Pacific's triple star
From the shafts of strife and war,
Make her praises heard afar,
God defend New Zealand.
Tuesday, March 8, 2011
E Ihowa Atua
Subscribe to:
Posts (Atom)