He hath shewed thee, O man, what is good; and what doth the LORD require of thee, but to do justly, and to love mercy, and to walk humbly with thy God? Micah 6:8 King James Version (KJV)
Lifesong York Street Art Gallery, 21 York Street, Timaru: 20 Nov 2010 – 20 Jan 2011
This exhibition of abstract paintings by artist Elizabeth Love (nee Acheson) of Timaru, reveal a deep vein of Christian faith that inspires and translates the artist’s poet soul.
There is a sense of atmosphere about these works; of mood, of storm and brooding, of depth to fathom, of deeply rich colour and textured surfaces that might be read lightly like Braille, with the fingers.
The exhibition ‘presents the gleanings of memory past and present’. Key elements show up again and again; text in the form of scripture, prayer, song and lyric, and ideas of a new land, landscape and a sense of place within it.
The Nunc Dimittis series stands out. They refer to the song of Simeon, used as a canticle (a Christian hymn or chant) in various liturgies.
Luke 2:29 – 32 elaborates and refers to the sighting of the Christ child by the old prophet Simeon, and his readiness at that point to depart, to leave, to be dismissed from this life because he had seen and held the promised Christ. His wait was over. Scripture also conveys an unwritten sense of settling and settlement.
The Common Prayer series carry ideas further. ‘In the Bonds of Love we Meet’, and ‘Let it Rain’ are Influenced by the Common Prayer Book of Anglican up-bringing. Works are linked to this land, Aotearoa, to its vision and its unifying national anthem.
The Common Prayer Book was a vital link between the Northern Ireland homeland of her parents and the new home they would eventually make in Aotearoa NZ. ‘The prayer book gave them a sense of cover and commonality amongst other Anglicans; they could go anywhere in the world and be at home’, she says.
The Kakanui series is a place where ocean meets sky and red ladders appear in the landscape. The work ‘When Jesus called to Peter at Kakanui’ suggests new insight occurred there.
Design is a key element in Elizabeth Love’s work. It brings a sense of measure and placement of the artist’s language of marks. These show up as deft sweeps of colour; of semi circles, banners, crosses and other motifs.
Ideas for new works seem to be constantly arriving. These are thought about, developed and presented though they may take a number of years to resolve.
Elizabeth has dedicated Lifesong to the memory of her father.
Common Prayer (IX): Triple Star Elizabeth Love September 2010 Mixed Media on canvas 610x910x35mm (Lifesong exhibition)
Common Prayer (IX): Triple Star (detail)
E Ihowā Atua, O ngā iwi mātou rā Āta whakarangona; Me aroha noa Kia hua ko te pai; Kia tau tō atawhai; Manaakitia mai Aotearoa
God of Nations at Thy feet, In the bonds of love we meet, Hear our voices, we entreat, God defend our free land. Guard Pacific's triple star From the shafts of strife and war, Make her praises heard afar, God defend New Zealand.
LOVE Hearts (45): Little Ones to Him Belong Elizabeth Love Mar 2007 Mixed media on canvas 100x100x35mm
New song for me this past week...inspirational.
Gateway Worship Revelation Song lyrics
Worthy is the, Lamb who was slain Holy, Holy, is He Sing a new song, to Him who sits on Heaven's Mercy Seat [Repeat 2x]
(Chorus) Holy, Holy, Holy Is the Lord God Almighty Who was, and is, and is to come With all creation I sing: Praise to the King of Kings! You are my everything, And I will adore You…! Yeah!
Clothed in rainbows, of living color Flashes of lightning, rolls of thunder Blessing and honor, strength and Glory and power be To You the Only Wise King, Yeah
(Chorus) Holy, Holy, Holy Is the Lord God Almighty Who was, and is, and is to come, yeah With all creation I sing: Praise to the King of Kings! You are my everything, And – I - will - adore You! Yeah!
Filled with wonder, Awestruck wonder At the mention of Your Name Jesus, Your Name is Power Breath, and Living Water Such a marvelous mystery Yeah...
(Chorus) Holy, Holy, Holy Is the Lord God Almighty Who was, and is, and is to come, yeah With all creation I sing: Praise to the King of Kings! You are my everything, And – I - will - adore You!
Holy, Holy, Holy Is the Lord God Almighty Who was, and is, and is to come, With all creation I sing: Praise to the King of Kings! You are my everything, And – I - will - adore YOU…
(Chorus) (Repeat at a cappella)
Come up lift up His Name To the King of Kings… We will adore YOU Lord… King of heaven and earth King Jesus, King Jesus Aleluya, aleluya, aleluya! Majesty, awestruck Honor And Power and Strength and Dominion To You Lord, To the King, to King To the King of Glory
Soft is the Heart of a Child (IV) Elizabeth Love December 2009 Mixed media on canvas 305x305x35mm
What an honour to be asked to paint a work to mark an event in someone's life!
References to:
Soft is the Heart of a Child poem by Lady Pamela Wyndham Glenconner Bitter are the tears of a child: Sweeten them. Deep are the thoughts of a child: Quiet them. Sharp is the grief of a child: Take it from him. Soft is the heart of a child: Do nothing to harden it.
Children painting Movement, energy, spontaneity Doorways, pathways Life purpose, plan Simple recipe – French toast Mount Aoraki/Cook
Whenever I Say Your Name (III) - in collaboration with Sandie Davies & Elizabeth Love October 2009 Mixed media on canvas SOLD d gr8 sth cantabury yth art expo 2k9
Whenever I Say Your Name (II) Stencil art by youth artists - in collaboration with Sandie Davies & Elizabeth Love October 2009 Acrylic on canvas SOLD d gr8 sth cantabury yth art expo 2k9
Whenever I Say Your Name (I) Hand-painted papers by youth artists collaged by Elizabeth Love September 2009 Mixed media on canvas SOLD d gr8 sth cantabury yth art expo 2k9
Whenever I say your name, whenever I call to mind your face Whatever bread's in my mouth, whatever the sweetest wine that I taste Whenever your memory feeds my soul, whatever got broken becomes whole Whenever I'm filled with doubts that we will be together
Wherever I lay me down, wherever I put my head to sleep Whenever I hurt and cry, whenever I got to lie awake and weep Whenever I kneel to pray, whenever I need to find a way I'm calling out your name
Whenever those dark clouds hide the moon Whenever this world has gotten so strange I know that something's gonna change Something's gonna change
Whenever I say your name, Whenever I say your name, I'm already praying, I'm already praying I'm already filled with a joy that I can't explain Wherever I lay me down, wherever I rest my weary head to sleep Whenever I hurt and cry, whenever I got to lie awake and weep Whenever I'm on the floor Whatever it was that I believed before Whenever I say your name, whenever I say it loud, I'm already praying
Whenever this world has got me down, whenever I shed a tear Whenever the TV makes me mad, whenever I'm paralyzed with fear Whenever those dark clouds fill the sky, whenever I lose the reason why Whenever I'm filled with doubts that we will be together
Whenever the sun refuse to shine, whenever the skies are pouring rain Whatever I lost I thought was mine whenever I close my eyes in pain Whenever I kneel to pray, whenever I need to find a way I'm calling out your name
Whenever this dark begins to fall Whenever I'm vulnerable and small Whenever I feel like I could die Whenever I'm holding back the tears that I cry
Whenever I say your name, whenever I call to mind your face I'm already praying Whatever bread's in my mouth, whatever the sweetest wine that I taste Wherever I lay me down, wherever I rest my weary head to sleep Whenever I hurt and cry, whenever I'm forced to lie awake and have to weep Whenever I'm on the floor Whatever it was that I believed before Whenever I say your name, whenever I say it loud, I'm already praying
Whenever I say your name, No matter how long it takes, One day we'll be together
Whenever I say your name, let there be no mistake that day will last forever
Several people have asked how the gr8 sth cantabury yth art expo 2k9 went. Overall it was such a worthwhile experience for those involved with most of the artworks selling.
Some of the art came from workshops held for youth who are currently out of mainstream education. Workshops were held from August - October 09 by Sandie Davies, Christeena MacDonald & myself.
Creating work together in a group, around a table, is always a special time.
Painting is an extension of man's means of communication. As such, it's pure, difficult, and wonderful. Sidney Nolan Australian Painter, 1917-1992
Mother's Legacy (XVIII): Mia March 2007/Reworked April 2007 Mixed media on canvas 610x910x35mm
Do you have some of your paintings in exhibitions in other places around New Zealand?
Sometimes I will send work away to exhibitions in other parts of New Zealand. There are lots of opportunities for artists to exhibit. One day I would also like to exhibit outside of New Zealand. One place in particular would be in Belfast, Northern Ireland, due to my parents setting off for life in New Zealand from there…
A lot of your artwork on the website is Mixed Media. What does that mean?
Mixed media is the term given to work that just doesn’t use one medium – other than paint I use things like tissue paper patterns, oil sticks, graphite, shellac, water-colour pencils, ink, pieces of my dried up paint (paint-skins), torn hand-coloured ‘scraps’…
Eric Carle is an artist I admire. He hand paints tissue papers for his collages. I like to study his illustrations & see how he has put them together.
From initial interest and employment in the fields of ticket-writing and calligraphy, my mark-making has progressed to richly textured, multi-layered abstract paintings - often including script.
I so love being a painter! My work has been described as that of a Colourist with canvases often reminiscent of quilts or tapestries, with lavish, brilliant colour.
As an artist I value serendipitous learning & working long hours alone.